My Journey to becoming a Sigma Creator
"Something Genuinely Magical Happens When I Create Images with Sigma Lenses"
I don’t think about settings.
I don’t second-guess my gear.
I just stay present with the people, the place, and the moment in front of me.
That’s why becoming a Sigma Creator feels like such a meaningful milestone. Not because of the title, but because it reflects a relationship that’s been quietly part of my creative life for over a decade.
My Long-Standing Relationship with Sigma
My Sigma story started around twelve years ago with two lenses that taught me a lot about how I see: the Sigma 35mm f/1.4 DG HSM Art and the 50mm f/1.4 DG HSM Art, both in Canon mount.
Those lenses were with me through a time of experimentation and growth—when I was learning by doing, making mistakes, and slowly building confidence in my own visual voice. They were reliable, beautifully rendered, and never got in the way of the work.
About eight years ago, I made the move to Sony mirrorless, and once again, Sigma stayed with me as my photography evolved. I’ve been through phases—my prime lens era, then my zoom era, and now I feel myself drifting back again.
Recently, I spent time working with the Sigma 35mm f/1.2 DG DN Art, and it completely reminded me why primes feel so special. It allowed me to work instinctively, respond quickly, and stay emotionally connected to what I was photographing instead of thinking about focal lengths or settings.
That’s where the magic lives—for me, and for the work.
Photography Is About People, Not Just Cameras
While lenses matter, photography has never been just about equipment. It’s always been about connection.
I’m an active member of the Royal Photographic Society and a judge for SheClicks, a global photography community with over 16,000 members. Being part of these spaces has shaped my creative life in ways I couldn’t have planned—through support, shared experience, and honest conversations about what it really means to sustain a creative career.
My work has been exhibited both in the UK and internationally, with collectors in the UK, the US, and New Zealand. My commercial photography is licensed worldwide through Getty Images. Most of these opportunities didn’t come from chasing success—they grew naturally through collaboration, relationships, and showing up consistently over time.
The Highlights — and the Quiet Wins
There have been moments I’m proud of along the way: Winning BIPP Press & PR Photographer of the Year in 2015, being shortlisted for Sigma Art Photographer of the Year in 2024, and having three botanical images exhibited this summer at FotoNostrum in Barcelona as part of the Julia Margaret Cameron exhibition.
Those moments matter—but they’re not the whole story.
What matters just as much are the quieter wins: meaningful collaborations, creative risks that paid off, and the ability to keep learning and evolving as a photographer.
Collaboration, Teaching, and Creative Exchange
Collaboration is central to how I work. I love collaborating with musicians and other artists and seeing what happens when different creative disciplines overlap. Those projects often push me somewhere new and remind me why I picked up a camera in the first place.
Alongside my own practice, I’m passionate about teaching, mentoring, and supporting photographers who are still finding their way. Photography can be overwhelming, and creative confidence doesn’t appear overnight. If I can help someone feel more supported or less isolated on their journey, that feels incredibly meaningful.
What Being a Sigma Creator Really Means to Me
Becoming a Sigma Creator doesn’t feel like an endpoint. It feels like alignment.
Alignment with a brand that values craft, creativity, and authenticity. Alignment with tools that allow me to work intuitively and stay connected to the moment. Sigma lenses have supported so many stages of my career by quietly doing exactly what they’re meant to do—so I can focus on the work itself.
As I continue photographing people and places, collaborating with other creatives, and supporting the wider photography community, this feels like the start of a new chapter rather than a final destination.
And the magic?
It’s still very much there.
Sigma 28-45 f1.8 DG DN Art
sigma f2.8 24-70 DG DN II Art